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His masterful use of light and shadow and a melancholic sensibility distinguish his work
Conservazione perfetta con margini intonsi
Copenhagen
often wrapped in twilight
Table for Derrière le miroir
MATISSE HENRI, Nu bleu II, 1952 His masterful use of lightPerfect impression, off text plate for Dernires uvres de Matisse for Verve 35 36, printed by Fernand Mourlot for the publisher Emmanuel Triade in 1958. Perfect condition with untrimmed margins. Bibliography C. Duthuit, Catalogue raisonn des ouvrages illustrs, n. 139, Paris: Imprimerie Union, 1988
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